**Our Solitude’s Spectrum issue, guest edited by James H. Duncan and originally slated for October 31st, will be delayed due to the fires in Northern California until November 30th. We remain open for submissions to Queer Spaces.**
Issue #25 – Queer Spaces
The queer identity is multitudinous and multifaceted. Despite the strong sense of unity we share, wherever it is that we go, being queer in one place is going to be different than being queer in another—often times, vastly so. As such, the individual delivers to the world an identity that is comprised simultaneously of sexual and geographic orientation. We as a community embody what it means to be African and transsexual, Alabamian and bisexual, Russian and lesbian, Californian and asexual, Iranian and gay.
Whichever letter of the queer alphabet you ascribe to, that identity is worth expressing in a manner that does not separate you from the culture that you belong to, but rather reveals the complicated relationship between exterior and interior place. The world needs to know us as we really are, not as we are stereotypically perceived to be. In this issue, we invite works that deliver a sense of the relationship that exists between queer person and place.
The topics of your work do not have to be queer in theme, but we do ask that you as a contributor belong to the queer community. Also, if you would rather be published anonymously, please specify and we will be happy to keep your name private.
Submissions due 12/9/17. Guest Editor Alesha Dawson. Issue live 1/31/18.
Issue #26 – The Lyric Essay
To take a cue from Ronk’s “Lyric Essay as Constellation,” the lyric essay as genre or form—whichever it is—seems to be entirely and only an analogy (which has been auto-corrected to “apology,” which seems just as fitting of a description):
We seek essays that exist only because of a logical parallel, kinship, or metaphor; only to express a transference of meaning; or only to describe that (biological, verbal, structural) material that forms more than only one thing. We seek essays that are acknowledgements of failure, justifications of theory or doctrine, that literally move away from an area of interest.
We seek lyric essays from an array of discourses, styles, mythology, and influence that are candid, reflexive, and architecturally sound; essays whose discoveries and questions are written only out of emotional necessity, like those utterances during therapy that unlock, open and empty us of everything but that exact emotional key–maybe still dangling from our locks.
Multi-modal and hybrid work will catch our eye but is no substitute for essaying: the content should dictate the form, which should, in turn, clarify the content. We are interested in work whose essaying happens performatively or only because of, for, and through the lyric, the form, analogy.
We want analogies (apologies). Anapologies.
Submissions due 3/10/17. Guest Editor Wes Jamison. Issue live 4/30/18.
Do you have an excellent AWP panel that didn’t make the final cut for 2018? Sundress Publications wants your exceptional, non-featured AWP panels! We are seeking a wide variety of perspectives on topics such as publication, graduate school, craft, and more. Our goal is to showcase these panels by hosting roundtable discussions on our official blog. We believe in fostering conversations that inspire, educate, and engage with the writing community in substantial ways. In 2016, our annual roundtable discussion event reached a wide audience, and we are excited to continue and expand upon those discussions with the submissions we feature this year. We value the hard work you put into your panels, and we hope you consider sharing your dedication and expertise with us. Submissions are rolling. Please send your proposal to us for consideration at sundresspublicationsATgmailDOTcom.
The Afterlife of Discarded Objects—a digital collective storytelling project that curates and archives memories about playing with, collecting, preserving, or making art from what we might label as trash, waste, or unwanted items—is looking for nonfiction narratives, personal essay/memoir, diary entries, short stories. Contributions can be of any length from a brief recollection (either from childhood or adulthood) of your experience with and memories about a particular object or collection of objects (simply an “I remember when…” kind of entry) to a lengthier piece that takes the shape of an essay or story. Currently no submission deadline. More information at theafterlifeofdiscardedobjects.com.
Submit to one of our Sister Journals:
Pretty Owl Poetry is open year-round for submissions of poetry, fiction, and art. Pretty Owl Poetry is an online quarterly journal that publishes new, emerging, and established writers in poetry, fiction, and the visual arts. We support all approaches to writing, be it collaborative or individual. We’re interested in experimental and traditional forms and flash fiction masquerading as poetry, all with a lyrical quality. Please submit all work through our submissions manager, which can be found on our website: prettyowlpoetry.com.
Founded in 2001, wicked alice is an online journal dedicated to women-centered writing and art. Published under the auspices of dancing girl press & studio and a member of Sundress Publications, the journal seeks to publish work that is fresh, innovative & exciting in a number of creative genres, including poetry, fiction, essays, visual art, multimedia, & hybrid works. Full guidelines can be found at wickedalicezine.tumblr.com.