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Interview with our 2015 In Cahoots Guest Judge Patrick Shawn Bagley

Patrick Shawn Bagley, the novelist in our Poet-Novelist judging duo for cahoodaloodaling‘s 2015 In Cahoots contest, shares with us a little about his recent book, collaborating, and his co-judge, Ruth Foley.

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Raquel Thorne: Your book, Bitter Water Blues, came out earlier this year, one review calling it a “redneck noir”. Can you describe your take on the classic hitman mob noir?

Patrick BagleyPatrick Shawn Bagley: There are more hitman stories out there than any sane person could ever want to read. For me, the main consideration was figuring what I could do to make my guy stand out in such a huge crowd. Joey grew tired of the life and did his best to get out of it, going back to the mob only when he had no other choice. Another difference is my choice of setting. Most of the novel takes place in rural Maine, not exactly a hotbed of gangland activity. I think that setting shapes the characters and directly affects the plot. Noir doesn’t have to mean “big city.” Life in the country is just as brutal, with men and women who doom themselves day by day.

Raquel Thorne: What does collaboration mean to you as a writer?

Patrick Shawn Bagley: That’s a tough question, as I haven’t done any collaborative work in about 20 years. Communication and shared vision are key. You have to trust your creative partner, and trust your own instincts so you can let yourself play off whatever that person brings to the project.

Raquel Thorne: While she’s not looking, can you tell us something cool about Ruth Foley that she’d be too shy to share herself?

Patrick Shawn Bagley: In grad school, Ruth got her gang of poet-thugs lit up on absinthe and black Lebanese hash, and led them in an all-out assault against the creative nonfiction writers.  They wiped out the entire CNF program in less than 45 minutes. The university covered it up, of course, and paid off the families of the dead and maimed.

Also, Ruth sees the poetry in everything. That’s a rare gift. Rarer still, she has the ability to out those ideas down on paper and make her readers feel them. Ruth’s a true poet, and—despite the number of writers who claim that title for themselves—there aren’t many of those around anymore.

Read our interview with Ruth Foley
and stay tuned for our 2015 In Cahoots Contest results, out later this winter.


Patrick BagleyPatrick Shawn Bagley‘s debut crime novel Bitter Water Blues was published in January 2015 by Snubnose Press. His stories of hardscrabble life and rural mayhem have appeared in Crimespree Magazine, Thrilling Detective, Spinetingler, The Iconoclast, and the anthology Uncage Me. He was one of the founding editors of The Lineup: Poems on Crime, an annual anthology. Bagley lives and writes on a dead-end dirt road in a one-stoplight town. During the day, he works at a nonprofit community support program for adults with intellectual disabilities.

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Interview with our 2015 In Cahoots Guest Judge Ruth Foley

2015 In Cahoots Collaboration Contest submissions remain open until 10/1/15.In Cahoots Flier 2015

Ruth Foley, the poet in our Poet-Novelist judging duo for cahoodaloodaling‘s 2015 In Cahoots Contest, shares with us a little about her recent chapbook, collaborating, and her co-judge, Patrick Shawn Bagley.

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Raquel Thorne: I’m a big fan of your chapbook Dear Turquoise from dancing girl press (2013) and can’t wait to get my hands on your newest, Creature Feature (ELJ Publications, 2015). Of your writing, you recently said, “I ask a lot of questions. I use the word ‘if’ a lot. I am much more comfortable with lack of knowing in a poem than in other parts of my life. I almost wrote ‘than in real life’ there, but if poems aren’t real life, I don’t know what is.” What questions do you explore in your new collection?

OLYMPUS DIGITAL CAMERARuth Foley: My first instinct is to say that I’m not exploring anything to do with real life, because Creature Feature is not only drawn from monster movies, it’s drawn from monster movies that, in some cases at least, are closing in on being a hundred years old. Isn’t that wild? Hundred year-old movies? But the fact is that the poems aren’t really about the movies at all—they’re about the monsters, sure, and some of the other characters, and the actors who played them. At their heart, though, they’re about us.

I’m interested in questions of masks and humanity, of the way we treat each other, about how frightened we are of differences. I wasn’t thinking about these poems as political when I was writing them, but I was thinking about the othering that we do, the ways in which we comfort ourselves with the thought that we are normal while so-and-so is not. As if “normal” is a thing that exists. The monsters in Creature Feature are across the board more human than the humans, more “normal” than the characters who are supposed to be just regular people. I was also thinking about the sexual politics of the time, the ways in which these films portray men and women, the assumptions we as audience were expected to make, and how little some of these ideas have changed. Of course all of that is political.

I also might explore the question of whether Boris Karloff would have been my boyfriend if he hadn’t died six months before I was born. (Yes. Yes, he would.)

Raquel Thorne: What does collaboration mean to you as a poet?

Ruth Foley: Oh, all kinds of things. I’ve written collaboratively—with a fiction writer, although I stuck to poems; and as an essayist. I encourage my students to write collaboratively. And I have a tight-knit pack of poets who inspire and support me in multiple ways. I don’t think of myself as a collaborative poet, but that might be because, apart from the exceptions listed above, I don’t tend to draft collaboratively. But the influence of my writer friends—from across genres, but especially my poet friends—is all over my work. I have a rotating cast of characters in my head that serve as audience when I’m drafting, and whose concerns I keep in mind (although I’m just as likely to ignore those as not). I love nothing better than a great stretch of time—a long afternoon or a late night—talking to poets. They’re super-smart people, for one thing, and engaged with the world in all sorts of different ways, and they’ve all read stuff I haven’t read and seen movies I haven’t seen and thought about things I haven’t thought about in quite the same way if at all, and all of it goes churning into my brain and, if I’m lucky, comes out as something that’s totally mine but which wouldn’t have existed without them. They also keep me laughing, which I think does a great service to a poet. Or to anyone else, probably.

Raquel Thorne: Now this part’s like a game show: Can you tell us something cool about Patrick Shawn Bagley that he’d be too shy to share himself?

Ruth Foley: I am trying to imagine Patrick being shy about anything at any time, and I have to say I’m coming up pretty short. He’s funny and smart and knows how and where to bury a body, so we get along just fine. Which is good, because he’s smart and knows how and where to bury a body. And he’s a tough guy, but he’s got a giant heart, which he shows in little bits and pieces when he talks about his work or the beauty of Maine. If you’re reading this and you’re anywhere near Patrick, buy him a beer for me, please. I’ll pay you back later.

Stay tuned for our interview with Patrick Shawn Bagley!


OLYMPUS DIGITAL CAMERARuth Foley lives in Massachusetts with her husband and two greyhounds, one of whom sometimes gets mistaken for a cow. Her work is easy to find online and in her chapbooks, Dear Turquoise (dancing girl press 2013) and Creature Feature (ELJ Publications 2015). She is easy to find at fivethingsthatdontsuck.blogspot.com or by looking at her sofa. She serves as Managing Editor for Cider Press Review

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Guest Staff Announcements

Issue #14 – The Animal Becomes Us – SUBMISSIONS OPEN

We’re leaving this wide open to interpretation. Consider this your open invitation to send anything from light verse about your animal companion to speculative were-animal stories. Submissions due 9/30/14. Issue live 10/31/14.

Kristin

About guest editor Kristin Nehs:

Kristin grew up tangled between Tennessee and Florida and has the Dollywood memorabilia and sawgrass scars to prove it. She holds an MFA from Oregon State in one hand and a cello in the other. Her interests include sordid human affairs and pontificating. In her spare time she wrangles cats.


2014 In Cahoots Collaboration Contest – SUBMISSIONS OPEN

cahooladoodaling_commission_by_moophles-d7l2ntpid_pic_by_mirz_alt-d5e95s2 About guest judges Michelle Lehmann and James Lehmann:

Michelle & James are a husband & wife writing team. Experts at collaboration both between themselves and with artists, we featured their project, Relativity, in our first Special Feature. They have recently self-published their fourth book.

Michelle Lehmann, a/k/a Mirz, is a mom, author and digital artist who lives in a suburb of Chicago. A secretary by day, she spends her nights wiping runny noses, pushing pixels, and trying to save the world — all of which she does while consuming ungodly amounts of coffee. Inspired by a love of the short stories of Ray Bradbury, her writing career (if one would call it that) has been planted firmly in the speculative genre, with works mainly in science-fiction, fantasy, and goofy smiley stories. Since her dreams of becoming a superhero never took flight, she did the next best thing and created the fiction serial, Relativity, which can read at Blacktorrent.us. She recently had her first works formerly published in the profits-for-charity anthology, Cat Tails: A Collection of Littpurrature. Her other works, which she assures no animals were harmed during the creation of, can be found on various sites around the web, including deviantart.com, mirz.us, and bitmapworld.com.

id_pic_by_ravenswd-d5e9f4zJames Lehmann, a/k/a Ravenswd started crafting stories as soon as he was able to hold a pen, but never finished anything until he acquired his Apple II computer — leading to a love of writing literature and computer code. A freelance computer programmer by profession, he is mostly a stay-at-home dad who gets a ton of inspiration from his kids and TV Tropes. He has a particular love of science-fiction and most of his works have been in that genre. Creating the character of Ravenswood Cadavre (because the name sounded cool), he never imagined it would lead him on a speculative writing journey that would span over 20 years and result in the superhero serial, Relativity, which he produces with his wife. He is also a connoisseur of webcomics, even co-creating one of his own with the emoticon strip, Bitmapworld. His works have appeared in several small publications you probably have never heard of, including The Torch and The Fiction Primer. Most of his writing and digital works can be found on Blacktorrent.us and deviantArt.com.

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